If someone asks me to name some of the best movies I watched in the past year, 'Kaksparsh' (a Marathi movie) would definitely score amongst the top three. The most remarkable thing about 'Kaksparsh' is its strong story-line. The writer, Usha Datar and the director, Mahesh Manjrekar weave a gripping tale set in pre-independence India, capturing an entire gamut of emotions such as love, jealousy, selfishness, friendship, fear, superstition, hypocrisy, frustration, in short - the good, bad and ugly of that age.
The protagonist, Hari dada (played with flawless excellence by Sachin Khedekar) is the head of an orthodox family in a coastal Maharashtrian village. When his younger brother, Mahadev tragically succumbs to illness leaving his barely 14 year old widow, Uma behind, Hari performs the final rites according to Hindu customs. The last ritual that remains is to offer a ball of rice (called 'Pindam' in Sanskrit) to a crow (called 'Kak' in Marathi) that is believed to be a messenger of the departed soul. Hari and the other priests wait under the scorching heat for a crow to touch (called 'Sparsh' in Marathi) the Pindam but in vain. Finally, Hari vows over his brother's soul that he would not allow another man to ever touch Uma. Just then, a crow flies over and sanctifies the Pindam with its touch. Whether this was merely co-incidental or otherwise, is left to the viewer's interpretation. The rest of the plot reveals to what extent Hari can go to ferociously protect Uma and to what avail. We also get to see what the impact of Mahadev's death was on Uma who barely even understood the concept of marriage when she was banished from 'civil' society for life.
This movie is not for those who wish to feel light-headed after watching one. It is serious cinema in all its gravity. It highlights the horrible (in fact, evil) practices that prevailed in that generation - child marriage and ostracizing of widows. It also succeeds in beautifully bringing out the 'grey'ness in human character - why and how people become what they are and how they get trapped in that being to the extent that they believe that is the right way of life. In the case of Hari, the honest and forthright stalwart of a man, the 'grey' factor is exuded in the way he (albeit, unintentionally) puts another life's existence at stake so that he himself remains true to a promise given to a dead brother's soul, that too - after the soul's departure.
Extremely thought-provoking and sometimes sowing a seed of disgust at the treatment meted out to women, 'Kaksparsh' can twist the sinews of one's heart in certain scenes. What is more tragic is the fact that this piece of fiction was and continues to be the reality of hundreds of Indian widows in Hindu society.
In short - a must see movie if one can understand Marathi and does not mind occasionally using some brains while watching movies.